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A visionary story of three generations of artists whose search for meaning and connection transcends the limits of life How do we relate to--and hold--our family's past? Is it through technology? Through spirit? Art, poetry, music? Or is it through the resonances we look for in ourselves?

In Artificial, we meet the Kurzweils, a family of creators who are preserving their history through unusual means. At the center is renowned inventor and futurist Ray Kurzweil, who has long been saving the documents of his deceased father, Fredric, an accomplished conductor and pianist from Vienna who fled the Nazis in 1938. Once, Fred's life was saved by his art: an American benefactor, impressed by Fred's musical genius, sponsored his emigration to the United States. He escaped just one month before Kristallnacht. Now, Fred has returned. Through AI and salvaged writing, Ray is building a chatbot that writes in Fred's voice, and he enlists his daughter, cartoonist Amy Kurzweil, to help him ensure the immortality of their family's fraught inheritance. Amy's deepening understanding of her family's traumatic uprooting resonates with the creative life she fights to claim in the present, as Amy and her partner, Jacob, chase jobs, and each other, across the country. Kurzweil evokes an understanding of accomplishment that centers conversation and connection, knowing and being known by others.  With Kurzweil's signature humanity and humor, in boundary-pushing, gorgeous handmade drawings, Artificial guides us through nuanced questions about art, memory, and technology, demonstrating that love, a process of focused attention, is what grounds a meaningful life.

A multigenerational saga of a family and a community in Tulsa's Greenwood district, known as "Black Wall Street," that in one century survived the 1921 Tulsa Race Massacre, urban renewal, and gentrification

When Ed Goodwin moved with his parents to the Greenwood neighborhood in Tulsa, Oklahoma, his family joined a community soon to become the center of black life in the West. But just a few years later, on May 31, 1921, the teenaged Ed hid in a bathtub as a white mob descended on his neighborhood, laying waste to thirty-five blocks and murdering as many as three hundred people in one of the worst acts of racist violence in U.S. history. The Goodwins and their neighbors soon rebuilt the district into "a Mecca," in Ed's words, where nightlife thrived and small businesses flourished. Ed bought a newspaper to chronicle Greenwood's resurgence and battles against white bigotry, and his son Jim, an attorney, embodied the family's hopes for the civil rights movement. But by the 1970s urban renewal policies had nearly emptied the neighborhood. Today the newspaper remains, and Ed's granddaughter Regina represents the neighborhood in the Oklahoma state legislature, working alongside a new generation of local activists to revive it once again.  In Built from the Fire, journalist Victor Luckerson tells the true story behind a potent national symbol of success and solidarity and weaves an epic tale about a neighborhood that refused, more than once, to be erased.

An astonishing, deeply moving graphic memoir about three generations of Chinese women, exploring love, grief, exile, and identity. In her evocative, genre-defying graphic memoir, Tessa Hulls tells the story of three generations of women in her family: her Chinese grandmother, Sun Yi; her mother, Rose; and herself. Sun Yi was a Shanghai journalist caught in the political crosshairs of the 1949 Communist victory. After eight years of government harassment, she fled to Hong Kong with her daughter. Upon arrival, Sun Yi wrote a bestselling memoir about her persecution and survival, used the proceeds to put Rose in an elite boarding school--and promptly had a breakdown that left her committed to a mental institution. Rose eventually came to the United States on a scholarship and brought Sun Yi to live with her. Tessa watched her mother care for Sun Yi, both of them struggling under the weight of Sun Yi's unexamined trauma and mental illness. Vowing to escape her mother's smothering fear, Tessa left home and traveled to the farthest-flung corners of the globe (Antarctica). But at the age of thirty, it starts to feel less like freedom and more like running away, and she returns home to face the history that shaped her family. Extensively researched and gorgeously rendered, Feeding Ghosts is Hulls's homecoming, a vivid journey into the beating heart of one family, set against the dark backdrop of Chinese history. By turns fascinating and heartbreaking, inventive and poignant, Feeding Ghosts exposes the fear and trauma that haunt generations, and the love that holds them together.

In award-winning author Kristen Kiesling and illustrator Rye Hickman's YA graphic novel The Harrowing, a psychic teen hunts potential killers until she discovers the boy she loves is her next target.

Rowan Sterling should be worrying about normal teenage things like attending college and whether her best friend Lucas is maybe more than a friend. . . . Instead, she's having terrifying visions of blood and violence. As the premonitions increase in number and intensity, Rowan seeks her father's help, but instead finds herself drugged, kidnapped, and sent to a mysterious facility called Rosewood. It isn't long before Rowan discovers Rosewood isn't a boarding school or an asylum: it's a training center for teens with special abilities who are known as Harrows. Harrows can view the actions of would-be murderers before they commit crimes, and the scientists at Rosewood believe it is their duty to use the Harrows' powers to make the world a safer place. When they are apprehended by a Harrow, imminent criminals, known as imcrims, are captured and indefinitely detained in a state of sedation. At Rosewood, the Harrows are taught how to identify, track, and apprehend imcrims. Rowan is immediately drawn to Rosewood's mission; after all, she lost her mother to a random act of violence two years prior. However, some of the other Harrows question the treatment of imcrims--how can it be ethical to imprison people who haven't actually done anything yet? Empowered by the skills she's acquired and ready to change the world, Rowan returns home, but when she reunites with Lucas, she has a vision of him shooting a man in cold blood. Now Rowan is questioning everything she learned at Rosewood--she refuses to believe Lucas is capable of murder--and sets out to protect him from the Harrows.

When Putsata Reang was eleven months old, her family fled war-torn Cambodia, spending twenty-three days on an overcrowded navy vessel before finding sanctuary at an American naval base in the Philippines. Holding what appeared to be a lifeless baby in her arms, Ma resisted the captain's orders to throw her bundle overboard. Instead, on landing, Ma rushed her baby into the arms of American military nurses and doctors, who saved the child's life. "I had hope, just a little, you were still alive," Ma would tell Put in an oft-repeated story that became family legend. Over the years, Put lived to please Ma and make her proud, hustling to repay her life debt by becoming the consummate good Cambodian daughter, working steadfastly by Ma's side in the berry fields each summer and eventually building a successful career as an award-winning journalist. But Put's adoration and efforts are no match for Ma's expectations. When she comes out to Ma in her twenties, it's just a phase. When she fails to bring home a Khmer boyfriend, it's because she's not trying hard enough. When, at the age of forty, Put tells Ma she is finally getting married--to a woman--it breaks their bond in two. In her startling memoir, Reang explores the long legacy of inherited trauma and the crushing weight of cultural and filial duty. With rare clarity and lyric wisdom, Ma and Me is a stunning, deeply moving memoir about love, debt, and duty.

1943, El Paso, Texas: teenager Nena spends her days caring for the small children of her older sisters and longing for a life of adventure. The premonitions and fainting spells she has endured since childhood are getting worse, and Nena worries she'll end up like the scary old curandera down the street. Nena prays for help, and when the mysterious Sister Benedicta arrives late one night, Nena follows her across the borders of space and time. In colonial Mexico, Nena grows into her power, finding love and learning that magic always comes with a price. In the present day, Nena's grandniece, Marta, balances a struggling legal aid practice with motherhood and the care of the now ninety-three-year-old Nena. When Marta agrees to help search for a daughter Nena left in the past, the two forge a fierce connection. Marta's own supernatural powers emerge, awakening her to new possibilities that threaten the life she has constructed.